Work with me!

I’m an audio, images, words journalist with nearly a decade of experience breaking and repairing news for digital and print audiences. I tell human-forward stories from the ground in Oregon and Washington. And I show student journalists how to do my kind of work.

So what does that work look like?

 

Education

University of Oregon | Master of Science, Journalism | Dec. 2020

  • Emphasis: low-impact, high-skill documentary photography, podcasting, and long-form writing.

  • Credits include drone photography, audio production and second camera on student films.

  • My graduate research, including analysis and qualitative interviews, helped inform a 2019 University of Oregon white paper published under School of Journalism and Communication Professor Damian Radcliffe, ‘Local Journalism in the Pacific Northwest.’

  • AWARD: My images for Flux Magazine of a boy finding community among drag queens won first place in feature photography at the Columbia Scholastic Press Association’s 2019 Golden Circle Awards.

University of Oregon | Bachelor of Arts, Journalism, sociology minor | June 2018

  • Emphasized media theory, journalistic ethics, changing business models and documents-driven reporting.

  • Minor focus on study design, praxis and intersectionality.

  • 3.99 GPA

 

Experience

Albany Democrat-Herald, Corvallis Gazette-Times | Reporter, podcaster | February 2022 to April 2025

My audio storytelling, photography and writing explored themes of resistance and power; self-determination; and who gets missed when bureaucracies overlap on their regulation of land in Oregon.

  • Enterprise stories covering agri-business, environment and health care.

  • Beat reporter covering local government in Albany, Corvallis, Lebanon; Benton and Linn counties.

  • AWARD: My podcast A Place to Sleep, about the diaspora of Oregonians without housing, won national first-place honors, besting NPR’s Embedded and WBUR’s The Trace for best limited series.

  • AWARD: Second place, audio series in the 2023 Society for Professional Journalists’s Excellence in Journalism Awards for a five-state Pacific Northwest region. Episodes about Brownsville and Corvallis won additional first-place honors for government and breaking news.

  • AWARD: My portfolio of photos from A Place to Sleep earned second place among small media outlets across Alaska, Idaho, Montana, Oregon and Washington in the 2023 Society for Professional Journalists’s Excellence in Journalism Awards.

Freelance Journalist | Photographer | 2014 to 2020

  • Bylines in Oregon media outlets, most recently The Oregonian and The Daily Emerald.

Herald and News | Writer, photographer | July 2011 to Sept. 2012

  • Flexible, general-assignment multimedia reporting — produced video and on-scene breaking news reports for the paper’s website and social media accounts, writing through for print.

  • Community-first coverage of Klamath Basin business, land use, military, crime and courts and interesting people doing interesting things.

  • AWARD: My story about a family stuck with an uninhabitable home won second place for feature writing in the 2013 Oregon Newspaper Publishers Association Better News Contest.

The Umpqua Post | Writer, photographer | July 2009 to Nov. 2010

  • It was my privilege to shoot and write in Reedsport, Oregon — a tiny community filled to the brim with aging seniors, dwindling school attendance, contested public lands and a goal of one major festival every month in an economy turning from fishing and timber to tourism.

The World | Journalist | January 2006 to July 2009

  • On-the-job training as a photo intern. I joined the photo desk as a newsroom staffer in mid-2007, covering breaking news, features and sports under tight deadlines.

  • I made and edited daily assignment photos for the Oregon coast’s largest newspaper. I sometimes wrote news and event coverage and produced audio-photos-video stories.

  • I was a researcher and clerk after layoffs eliminated my photo job in October 2008. Wrote death notices, obituaries and a community calendar; scoured archives to support reporters.

 

Competencies

Tools | Audio, photo, video | If it’s a professional Canon or Nikon body made after 1999, I’ve probably shot it

  • Cameras: extensive use of a Canon autofocus (EF and RF-mount); Nikon autofocus; and Sony autofocus (E-mount) equipment dating back to 2005. Proficient in Canon and Sony cinema systems. Proficient in many 35mm and some medium-format systems.

  • Field recorders: extensive use of two- and four-track decks from Roland, Tascam and Zoom.

  • Lights, studio modifiers: Pack and head systems and monolights, including Broncolor, Elinchrom, Paul C. Buff and Speedotron; speedlights including Canon and Nikon.

  • Software: extensive use of production suites including Adobe Audition, Lightroom, Photoshop and Premiere, on Mac OS and Windows. Extensive use of Microsoft Excel; familiar with productivity software like Outlook and Teams.

  • Web platforms: Esri and other geo-spatial applications; government data and records portals, like OJCIN, Your DEQ, and CivicPlus-based websites; content management and publishing systems like BLOX and SoundStack; FTP and file transfer sites like WeTransfer or Box; class management systems like Canvas.

Skills | Investigation, production, teaching | I’ve practiced journalism in lots of ways

  • Teaching and mentorship, including curriculum design; leading workshops on hard skills like video production, audio interview, and lighting; and fostering work environments where colleagues can approach me with questions about their journalistic practice. I’m comfortable providing constructive feedback and critique.

  • I deploy strenuous and sensitive interview techniques meant to avoid judgment but also hold public officials to high standards.

  • Editing for tight, salient stories in audio, video, photos and words.

  • Audio engineering, including on-location sound recording and post-production to broadcast standards.

  • Investigation through records requests, data analysis and management, triangulating facts and sources, and accountability interviews.

  • I write with literary techniques, developing characters, narrative arcs and scenes to deliver accurate information that compels readership.